Battles for Blue Goose Rd.
by Jason Ungart
| Part I: Antietam |
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We waited by the ridge for an Hour, or more, until the Steel-gray-suited soldiers came into sight. We waited, on the knoll for Tim to give the cry to fire, to defend the ridge from the advance of Longstreet, only I knew who it was we battled, with our cap guns, Michael waited cap gun ready, I could never load mine right, as we waited, stubby fingers loading red paper caps into my Davy Crocket Disney rifle, one by one. I hoped The Rebs would charge so I could ignore the stupid caps and just go swinging like Davy at the Alamo, in the movie, but we waited for Tim to shout that the Rebs were near or a car was coming, so we could ambush them. Scare drivers with our cap guns, or do something, other than hide in the stupid grass. |
Urban LegendBy Jason Ungart
I love this time of night
Poignant
A short poem by Jason Ungart
Hardcore Action =
Broken Pen |
| Part II: French soldiers are Ambushed in camp. | |
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We are six days from Vienna. The soldiers tire from long march Can we just stop for a second.
No, we are too close toOld Lady Millers Junk yard. She’ll tell my mom for sure.
We’ll make camp near That hill, no fires or sound. Scouts will not find us there.
I don’t think we shouldGo near the bus, andWhat if her dogs are out?
Don’t be such a fraidy cat, Sir, we won’t get caught C’mon, you big baby.
I’m not a baby, fineMarch you’re men down there. I hope the dogs eat you!
Quiet, we can’t give our position away, just a minute I’m tired, and hungry
Fine. Eat your rations, We’re not going back home ‘Till we reach Vienna
Vienna is Michael’s house? That’s pretty far for Our soldiers to travel.
We can’t go back wePromised to visit himNow finish your candy.
I don’t feel so good, Sir, I think we should Go home.
Quiet! Let’s go. I hearThe goats bleating, she’ll Catch us for sure
I hear the dogs are Barking. They must be outside. Let’s get outta here! |
Great White Hunters, We© Jason Ungart 2001
Great White hunters we, The air scraped dry and hot by green fingers of the oak trees. The pleasant smell of summer, budding pink-white blossoms on the Apple trees.
The cold blue-black metal, the hiss, hiss, hiss. Our hands worked in unison pumping, Great white hunters we, with pellet guns A safari in the orchard of my father
Two cracks from guns; the bird fell, Unexpectedly; I wondered why There wasn’t any blood. “Touch it,” Mike said, looking at me. I shook my head- “No, you touch it” I had never killed a thing, . I looked at it for a long time Great white hunters, we.
I’m more a butcher now, I think. I am perhaps more subtle, not gun but word. Not a bird, but ideas on pages, twisted, broken, bloodless Just the same
Of my hunting partner, I know little anymore We’ve grown apart in the years that have passed. He sits in a sunless room I’m told, gathering dust and curt remarks. A killer too, it seems, in slow charade of suicide from lassitude, and alchohol I rarely see him when I visit, at our hang out, on the cliff Overlooking the slate-gray waters of lake Michigan Nothing lives there anymore, even the grass is hoary, and olive brown I stopped visiting ghosts. Great white hunters, we
After a while, of looking at that bird, it’s red breast, its’ feathers splayed out, We kicked in the tall grass; ran home for lemonade, And sought to forget. Great white hunters, we.
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Diffusion, by Jason Ungart
"What are you
going to do with your Life?"
"What are you
going to do with your life?"
"What are you
going to do with your life?"
Perhaps I'll
shrug my shoulders, |
Hannah. By Jason Unagrt
Hannah, amber cat A tabby with desires for A human being
Mewing at me At 6 o’clock, revile Instintive Morning March
Spiteful cat urine On sheets, but not to worry I returned the favor
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| Legacy |
Ogre at His houseDecember 17th 1997 12:59 am
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My dad in thick glove pulls stones from the earth Laying them aside, clearing the fallow field in a day Son let me tell you of a man’s worth
He hefts the rocks with a crude curse Tossing them This- This is how ploughmen pray With thick gloves, my dad pulls stones from the earth
Sweat from his brow drips into the earth He gathers it, By this debts to man, and God are repaid Son, let me tell you of a man’s worth.
Hour after hour, in the sun, for our bread we will work Our birthright, from sin, the price that we pay In thick gloves, My dad pulls stones from the earth
Keep your mind focused, forthright, and firm God pays no mind to the idle or stray Son, let me tell you of a man’s worth
A man needs no building to make him a church Instead honor him when at work and at playHe says, pulling great stones from the earth Son, let me tell you of a man’s worth.
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In the night, my father stomps down the stairs. An ogre leaving his mountain den. The earth trembles with every step, of his feet, massive blocks of pig iron, trampling carpet beneath like stone
In the night, my father stomps down the stairs. His hoary ears have heard the sound, of boys laughing at his table.. He has caught their scent, in his bulbous, warty nose.
In the night, my father stomps down the stairs, Mangled limbs dragging across blasted rock scrub brush, and sand He catches three boys, that play beneath his home
In the night, My father waddles into the kitchen. His eyes squinting shut against the brightness of the lamps Brow furrowed in discountenance His jaw juts out in sleepy snarl. Yellow teeth, polluted breath.
In the night, my father stands before the table. On spindly, bowed legs, ropey from carrying his weight wearing only threadbare rags. His genitals and rotund belly shake When he lifts and points a crooked finger In the night, my father heaves in breath. And barks to the boys held impotent with fear. “Get outta my house!” My father cries, in jaundiced voice of vinegar and outrage Thrashing the boys, driving them from his home.
In the night, my father storms from room to room. Looking for signs of the three boys trespass. Finding his lair undisturbed. Returns his eyes to me,. “What are you still doing here?”
In the night, my father pushes me up the stairs Still bellowing, throws me into my room, Groans, closes the door. He curses from his bedchamber. Then mumbles himself to sleep.
In the night, my father snores loudly Grunts and coughs and snores again. In the night, my father dreams. of bread baked from children’s bones. |
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Lethargy I am buried by paper, sheets and sheets and
spiral-wire-bound books of it It’s exactly as you said. I never could keep my life simple and clean.
My stuffed raccoon from ages past glares sullenly at
the easel Then left the art class for some one else. My easel pleading to be used again
I never could keep my life simple and clean Will relate to these things and other sins they have observed in clandestine meetings, when I’m at work.
They’ll say to you: “It’s exactly as you told him, He never could keep his life simple and clean.” |
Downtown MilwaukeeBy Jason Ungart
Parking lot Broken bottle Cigarette butt Bead Store Cracked concrete Yellow weeds Old shoe Parking lot Street sign Rusty barrel Hubcap Blue car Oil slick Parking lot Beer can Neon sign
Brown suit Gold tooth Fedora Dark tie Thick mustache
Short skirt Red nails Slender fingers Painted lips Blonde hair
A Skywalk Donut shop Chinese place A smoke shop Hooters
Jesus freak Fast food Italian A bridge Firstar Popcorn Kiosk
Lakeshore Drive Ugly Orange Statue The Water tower A Lexus A city bus |
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Grandfather. Ó 2001 Jason Ungart
I remember The last time I saw my grandfather The wrinkles, the fading hair The lines and folds and creases Of his skin-it was very thick- his skin.
I remember his mouth, drooping, drooling, The crusted purple-black ulcer A crater on a titan’s chin.
I remember the moans, grunts and slurps, Barely intelligible when his teeth were set in correctly. And his eyes, blue and hard and milky with tears and cataracts.
And I wondered: Could this be the man that sired my father? Is this the man who came from Germany, on a boat when he was 9? Could this man have raised a familiy and built a house? Laying brick by brick with only a spade, cement, his hands?
Hands that reached out, trembling, for mine
Angrily, I turned away and left him there Urine running down his leg; up my nose.
I was 14 then, Now I’m 23 And think of him often. I walk faster, head lowered, his ghost beside me
My father tells stories of my grandfather Of his laugh and his German-speak, spankings and love.
I simply smile or laugh, but never say to my father: This is how I remember him: The lost man in a body too frail to stand, or sit or pee. Too dulled by disease- the war against age Not a grandfather, not a man, Just a skeleton -muscles limply hanging to bone A burden, a loss.
The last time I saw his face. As he plummeted to the ground His eyes alert with pain, seeing himself as I did. |
Myopia In sassy lingerie, rose petals Hot steamy sex, with that super model girlfriend of yours
Not a chance, it’s just you, on cotton sheets It’s 3 am and you wonder why you stay up so late anyway. Try to sleep but can’t, So close your eyes and wish it away.
You’re the hero, the saint, the lover, the magi, the god, the goddess, the poet, the rock star, the master, the artist, the soldier.
No. No. It’s just you. |
ValueBy Jason Ungart
How I adored your curves, When I first saw you, understand. How I fell for your material, and search empty pockets for correct payment. “The store had sold out”, said the clerk but we found you still, my chair
How someone can forget a chair, or how it embraces gently a rear end’s curve, is beyond a simple accounting clerk. Wielding numbers you do not understand About accounts received and due payment Things of wealth and material.
Wal-mart does not use fine materials, but they can sell a good chair Without need of lay away payments I wheeled you about the aisle’s curves A honeymoon bride, no one understands, What you mean to me, not even the clerks
But I am not in love with clerks As much as I want to touch your material Am I wrong to think you understand? As much as I do the importance of chairs? I slipped inside your supple curves Returning the worth of my payment.
You have served me faithfully since that payment. And have not strayed to other clerks Who eye with envy how you support the curves, Of my behind, and the black woolen material. They must make due with company chairs Ergonomics is not a science these clerks would understand.
When I bought your sister, I hoped you would understand That I was not betraying you by giving payment She seemed exactly like you, in all the ways a chair Can be a-like, and “Its on sale,” Said the clerk. And yes, I glanced a little longer at her material. I was not aware she does not fit my curves.
I learned the hard way; I was bamboozled by the clerk. I could not understand the chair, and payments dearly lost in cheap material And guilt does not fit me like your curves |
The Ten-Minute Affair at Wicks N Sticks © Jason Ungart 2002
I have never been to France, Or to any place where they speak French, Or even to a French Restaurant-though I have had French bread, and French fries, And I’ve seen France on TV, and in movies, and on Maps.
But I will think of France, the mall, and you, When I light this candle
It’s a purple votive, called Vineyard, You helped me pick it out, among the neatly stacked shelves of Blues, reds and greens We must have stood for 10 minutes, letting our noses share intimately the scents of each candle. You told me to stay away form the “cooking” smells- The Pumpkin, The oatmeal cookie, the Cinnamon. You said the Key Lime and Sage and citrus are good. but the Vineyard smelled like bubble gum The smell of Vineyard with Green Grass, I said, reminds me of California, or France.
I lied; I’ve never been to California either. But I’ll pretend that I know California, to talk a little longer about it. I was infatuated, you see, for that ten minutes You had a lovely nose, and our noses had much in common. The sharp and rich smells of the forest, of moss and wood and sage I imagined our noses slipping off to elope in Nevada. Keeping it secret from the faces who would not approve.
It was over nearly before it started. The passion our noses shared. All I have now are my candles, my receipt, And my validated parking. |